Posts Tagged ‘Production Controversy’

Soul’s Window: China Rips Off 5cm Per Second

Wednesday, September 2nd, 2009

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China’s reputation for originality and respect for copyright is once again cemented with the news that a Chinese company, working in partnership with a state propaganda department, has plagiarised wholesale Makoto Shinkai’s popular and visually striking anime movie “5 Centimeters Per Second.”

You can see much more of it below (the Chinese version is on top):

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Soul’s Window” (心灵之窗) is ironically enough billed as a “moral anime,” a genre which dominates China’s heavily censored animation industry. Exciting themes of selfless dedication to party and state promised, and the heroic actions of the People’s Liberation Army play a central role.

The hatred of viewers toward just this kind of tedious preaching in anime is cited as one of the problems faced by the industry, coupled with a complete lack of artistic freedom, and the inability to export such naked propaganda.

Even more notable is that fact that the anime is apparently co-produced by the local Communist Party propaganda department, showing just how deeply the Chinese government cares about such matters.

State censors have approved its “healthy ideological content” for nationwide release on TV and at cinemas, with 52 episodes planned.

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Rarely has anime plagiarism been so bold.

The original work made heavy use of photographic reference, but of course these were taken in Japan by the original studio, so it is curious to see them crop up in a Chinese production.

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Voices have been raised in China calling for the development of a domestic anime industry, and the removal of pernicious Japanese anime from China; it appears one response will be to simply copy parts of Japanese anime and call it domestically produced…

Full Metal Alchemist Ratings Collapse

Tuesday, September 1st, 2009

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Mustachio anime Full Metal Alchemist’s remake has attracted much unwelcome attention with the release of TV ratings which show a collapse in ratings, especially compared to the much loved but totally divergent original:

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The original maintained an average of 6% throughout its 50 episodes. The remake on the other hand manages an average of a mere 3.3%, and falling fast, less than half way through.

There are rumours of the show being moved to a more favourable timeslot, not that there is any real indication that this would rescue it…

Nagaru Tanigawa “Has Started” New Haruhi Novel

Sunday, August 30th, 2009

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Haruhi author Nagaru Tanigawa has finally started work on the long anticipated but hugely delayed (as below) “Suzumiya Haruhi no Kyougaku / The Shock of Haruhi Suzumiya” light novel, the first in many years.

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Previous announcements relating to the title, once due in 2007, always turned out to be lengthy delays, to the point that the once popular series appeared to have been abandoned, but this seems not to be the case now, as in a recent edition of The Sneaker he is described as being in the process of readying the novel.

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Whilst it seems for all intents and purposes the Haruhi franchise is finished after having been driven into ground, it will be interesting to see whether Tanigawa manages a worthy continuation after so long a hiatus.

There is of course the intriguing possibility that he long ago succumbed to writer’s block or totally lost interest in the series, and only now is finally having his arm twisted into finishing it, a possibility which does not bode well for the quality of future installments…

Endless Eight in 36 Seconds

Friday, August 21st, 2009

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For those still puzzled over the Endless Eight fiasco, or those wishing to relive the torment, a kind soul has helpfully prepared a 36 second summary of the entire eight episodes, showing just how exciting they are



For full effect, watch eight times.

A longer comparison version:


Extreme Manga Style Changes

Thursday, August 20th, 2009

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Changes in style, readers and authorship, as well as change in skill, can all exert a drastic influence on how an illustrated work looks, sometimes to a rather extreme degree. Just how common this is is readily illustrated by the video comparisons below, which have ascended to classic status on Nico, with millions of views…

The presentation should be straightforward: original styles are presented first, followed by the revised styles and a side by side comparison of the two.




Aya Hirano: “Endless Eight was Awful for Viewers!”

Monday, August 17th, 2009

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Haruhi seiyuu Aya Hirano has made comments apologising for the Endless Eight debacle and thanking viewers for putting up with it all, as well as lamenting the hardships the seiyuu had to endure in recording it all.

The comments were made on one of her radio appearances:

For us seiyuu the pressure was intense.

When we first met to receive the plans for it and learn which books we would be doing, like we did for the first season, we heard we would be doing Bamboo Rhapsody and thought it was very appropriate.

Then we learnt the second till ninth would all be Endless Eight, we were like what? Eh? Eh? Eh?

We didn’t really get it when we were told we were doing the same story eight times with just differences in delivery.

I think this was more awful for the people watching than the ones performing it, I’m really grateful to everyone for watching it all for two months!

Thank goodness we finally got away from it.

It doesn’t matter how many times I’m told to do it, I don’t want to do it anymore, enough already, enough! I can’t do it more than 8 times, that’s the limit!

Yamakan, the low-level production staff, and now even the seiyuu have expressed disgust with Endless Eight, to say nothing of the fan response.

It seems astonishing that the staff responsible ever managed to force it through, but the tenacity with which they are sticking to their guns even as their ship sinks probably explains much…

Anime Studio Recruits Slaves by Blood Type

Tuesday, August 11th, 2009

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A company recruiting animators has incited a storm of criticism for its refusal to hire people with blood types other than A and O, as well as its requirement that inexperienced employees work as trainees for a year without any pay…

The company’s recruitment request runs thus:

“If you are a high school graduate under the age of 23, and have a blood type of A or O, we have an opportunity for you.”

[The request describes how to send them sample pictures]

“We’d like people who can live a year without pay, and whose families don’t object please!

Please read below and apply!

For those with no experience, the basis of our recruitment is that you will work for a year without any remuneration, as training.

As you need experience to work in the industry and we can’t use you as a pro from the start (though even if you are useless and work a year, you are still useless), and instructing you takes up employee time, to say nothing of the cost of attending an anime course and the value of actual experience over simple study, we think this is a great deal.”

[The rest of the very long and uninteresting document is redacted]

Whilst it is true that animators are virtual slaves already, possibly this is taking things too far.

Many within and without the industry have worried that working conditions and pathetically low salaries threaten to drain the field of new talent, and certainly this seems a relevant observation in this case.

The company in question is “Shindou Productions,” run by Mitsuo Shindou, an animator/director who has worked on a wide variety of titles, including Dragonball, Yu Gi Oh, Chibimaruko, Saint Seiya, Rurouni Kenshin and others; 2ch unkindly remarks that none of his works are known for the quality of their animation, except in the “quality” sense.

2ch is unsurprisingly scathing:

“Can’t they be sued for discrimination or something for using blood type like that?”

“This isn’t a contract, so no. But if it were, they probably could.”

“I’m O! YES!”

“Their DVDs won’t sell with this.”

“With stuff like this the Japanese anime industry will go on shrinking…”

“Tell us why! Why the limit on blood types?”

“Can you change your blood type?”

“Shindo Pro., these guys famous?”

“Mitsu Shindou, famous for quality collapse on a variety of anime, is the CEO.”

“I Googled him, he’s 65. Looks like the kind of old-fashioned thing someone like that might say.”

“Is this so bad? In the west unpaid trainees are the norm. And B types have trouble with detailed work like this, it’s an appropriate choice. I think I’m A.”

“Notice the fact that it is not appropriate to actually believe in blood types affecting personality!”

“Think about it. They don’t want B types because they are bad workers, they don’t want them because they think the others will put up with more abuse and be company slaves!”

With such companies, the Japanese anime industry perhaps deserves its current troubles.

“If We Do A Haruhi Movie, It’ll Be Endless Eight Again”

Saturday, August 8th, 2009

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Haruhi director Tatsuya Ishihara has expressed an interest in making any movie edition of Haruhi another iteration of the reviled Endless Eight saga.

The interviewer poses the strictly hypothetical question of what material might be used to create a Haruhi movie, much to the consternation of 2ch:

“There are a lot of episodes from the novels which have not been animated. We’d love to hear which of those you would like to make into a movie.”

Ishihara: “Endless Eight… :-) Can’t we do that again, adding some new extras, try some film tricks out? Or is it too much? :-)

Endless Eight Ends

Thursday, August 6th, 2009

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Even newspapers have been reporting that the seemingly interminable Endless Eight arc has finally ended, perhaps in order to prevent civil unrest.

Speculation now falls on whether all or part of “Disappearance” will make its way into the season. A cliffhanger or lack of the arc would probably mean the story will never see the light of day as an animation, as it is hard to see another season arising out of this fiasco, and even the novels are in a state of indefinite hiatus.

Observers are united in their curiousity as to how well DVDs containing the episodes will sell; Kadokawa looks set to employ some underhanded means to avoid the humiliation of having four DVDs of the same episode being bought only by Haruhi fetishists…

KyoAni Staff in Open Rebellion over Endless Eight

Friday, July 24th, 2009

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An official interview with the Kyoto Animation production staff of Haruhi’s much loathed Endless Eight arc reveals that staff are angry enough to allow their displeasure a public airing.

The interview between “Kuroneko-man” and one of the animators, and published on the official KyoAni website, seems to suggest staff are greatly aggrieved at the decision to air the same episode eight times with minor changes throughout:

What’s it like making the same episode over and over-nya?

There’s a variety of stuff to do for each production team and even with the subject material being the same there’s plenty which differ,s so it’s interesting.

The answer of a model pupil-nya.

No, no, even with a normal series we often wonder “what would the other team do here?” Seeing that in actuality is very interesting!

I thought I heard one of the people behind groaning that he wants to get it done with-nya…

I think I understand how Nagato feels.

Everyone behind is strongly agreeing-nya. Everyone empathises with Yuki-nyan being really bored-nya…

I don’t know what you are talking about.

Sometimes we do get confused over which yukata or swimsuit goes in which episode though.

If you keep doing the same scene over, your outlook broadens as you can try a variety of methods.

Oh! Everyone behind you is booing loudly-nya! Isn’t that what they really think-nya!?

It’s true! I really think that!!